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About

​Hi, I’m Eboni, a New York City–based actress and voiceover artist.

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My path to theater began in an unexpected place.

As a child living at San Diego’s Saint Vincent de Paul family shelter, I saw my first play, The Wiz, while on a school field trip. I remember sitting teary-eyed as the actress sang “Home,” realizing for the first time that my story—my pain, my longing—could be mirrored so beautifully on stage. That moment shaped my future, and theater became my safe space, my refuge, my home.

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Over the past 20 years, I’ve performed on Broadway, Off- (off…off) Broadway, regionally and internationally. I've also led theater-based workshops at Rikers Island, various women’s centers, schools, universities and shelters across the country. In 2016, I co-founded Progeny Project, a community arts initiative where we used theater games and facilitated conversations to spark honest dialogue about relationships, community, and social justice issues.

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During the quiet of the pandemic, I built a home studio and lunched my voiceover career—a new chapter that fed me creatively and became a vital refuge for my mental health during that time of such uncertainty. One of my proudest moments came when I co-narrated REEL by Kennedy Ryan. Our team made history as the first Black writer and narrators to win an AUDIE Award in the Best Romance category.
 

Wherever I'm positioned— in a classroom, a community room, onstage or behind a mic—

I aim to use my art to amplify diverse voices, build connection, and celebrate our shared humanity. The power of story changed the course of my life, and I’m committed to honoring that calling—one performance, one character, one conversation at a time.

 

Background​

My family is from the sticks of Alabama, but I grew up between San Diego and Atlanta. If you ask me though, I’ll probably say I'm from the ATL—because that’s where I found my heart’s beat, deep in the rhythms of trap music at Tri-Cities High School, then at Clark Atlanta University (and later, the University of Alabama— haaay, Master’s degree!) in the beautiful “Dirty South.”

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When I’m not working, I’m a “regular-degular” judgment-free-zone type of chick. I'm pro-God/Love, pro-Black, pro-Queer, and pro-Live-YOUR-Best-Life—just don’t hurt nobody.  I love quiet moments to myself (probably too much), gut-bustin’ laughs with my closest friends, home-making, thrifting for vintage finds, gardening, and long walks with Outkast blasting in my AirPods. Oh, and desserts—everywhere, anywhere, all at once, if possible.

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I treasure trips “home” to spend time with my mom, my five sisters, and twelve nieces and nephews. Lately, I’ve been deepening my sustainable living practices with my local BuyNothing group, and channeling my inner wild-woman survivalist while binge-watching ALONE or Naked and Afraid.

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With gratitude for my ancestors, this journey, and the genuine connections I’ve made, I remain in service of #GodsPlan for me.

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Stay tuned!

 *member of SAG/AFTRA & the Actor's Equity Association (AEA)*

Broadway / New York Stage

Eureka Day B'way | Anna D. Shapiro | Manhattan Theatre Club Samuel J. Friedman Theater

Winter | Carina u/s promoted to play Carina as of Feb.1-2025

Macbeth B'way | Sam Gold | Longacre Theater

Ensemble | Lady Macbeth u/s

Slave Play B'way | Robert O'Hara | Golden Theater & August Wilson Theater

Kaneisha u/s, Teá u/s

Too Heavy for your Pocket | Margot Bordelon | Roundabout Theater

Evelyn

Dead Dog Park | Eric Tucker | Boz & The Bard, Bedlam

Sharonne

Television & Film

New Amsterdam #104 | NBC | Kate Dennis

Ayesha

Blue Bloods #615 | CBS | David Barrett

Mayor's Aide

Show me a Hero| HBO | Paul Haggis

Resident

Dockwiler | Sara Sahin | 2023

Sesil 

Auction Block Party | Ayanna Saulsberry | 2021

Margaret Garner-Gaines

Paradox of the Urban Clichè | Reginald Douglas | Poetic Theater Productions

Smiles

Miss Julie | Robert Greer | Strindberg Repertory Theater.

Christine

Court Martial at Fort Devens | Mary Beth Easley | New Federal Theater, Castillo Theater

Johnnie Mae

The Waiting Room | Jackie Alexander | Billie Holiday Theater

Rachel

Regional Stage

A Raisin in the Sun | Robert O'Hara | Williamstown Theater Festival

Mrs. Johnson

Risa

Two Trains Running | Reginald Douglas | Weston Playhouse

Father Comes Home from the Wars, pt. 1,2,3 | Liz Diamond | Yale Rep, A.C.T

Penny

Too Heavy for your Pocket | Margot Bordelon | Alliance Theater​

Evelyn

Sting of White Roses | Jackie Alexander | North Carolina Black Rep.

Mina

Three Sisters | Edmund WIlliams | Alabama Shakespeare Festival

Natasha

Trojan Women | Diana Van Fossen| Alabama Shakespeare Festival

Chorus Leader

Training & Workshops

M.F.A in Acting   | University of Alabama 

B.A in Theater     | Clark Atlanta University 

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Acting Technique    Freddie Hendricks, Carol Mitchell

On-Camera           Bob Krakower, Berg Studios 

Stage Combat       Leraldo Anzuldua, Scott J. Mann

Special Skills

Audie Award winning audiobook narrator, voice actor, teaching artist, poet/spoken word, hair braider, club dancing, improv, actor who raps/moves, sings, alto vocal range, aerobics, yoga, CPR and First-Aid certified, various dialects (general African, American Southern, New York), Driver's License, U.S Passport 

Awards

 

Audie Award  |  Best Romance Audiobook (REEL / Kennedy Ryan
S.F Theater Critic's Cir. | Leading Actress in a play | 

N.Y Innovative Theater Award  | Best Featured Actress nomination 

Coriolanus | Geoffrey Sherman | Alabama S​hakespeare Festival

Chorus Leader

Lillly's Purple Plastic Purse | Richard Caliban | Alabama S​hakespeare Festival

Lilly (Lead)

Sex Acts | Carol Mitchell-Leon | Push-Push Theater

Pearl (Lead)

Coriolanus | Geoffrey Sherman | Alabama S​hakespeare Festival

First Citizen

Times / Psalm 13 |Freddie Hendricks | 7 Stages Theater

Ensemble

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view resume pdf

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​©2023 by Eboni Flowers all rights reserved.​ 

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